Friday, May 31, 2019

We devised apiece of drama with the help of the story that was written :: Drama

We devised apiece of drama with the booster of the story that was written with words extractedfrom the poem Walls. I represented.We devised a piece of drama with the help of the story that waswritten with words extracted from the poem Walls. I representedJerusalem the holy city of God. I was positioned at the centrein-between the two worshippers to march that Jerusalem is a place ofpilgrimage and prayer. In front of me, either side, were the soldiersthat guarded Jerusalem and the people within. Behind me (Jerusalem)were the two builders, again either side, grammatical construction the skirt aroundme which is known as the Wailing Wall or Western Wall. The WesternWall in Jerusalem is the holiest site in Judaism. The wall is all thatremains of the mo temple, built by Herod the Great. Jewstraditionally visit the site, which is also known as the Wailing Wall,to lament the destruction of the First and Second Temples and to offerprayers. My group showed narrated action where the narrat or (enactedby me) spoke directly to the audience to comment on the eventshappening on stage. I was tall and stood up straight so therefore Ihad the highest level. In the opening freeze, as shown in the stickdiagram, my arms were raised high above and spread outward tosymbolically show that I am a vast piece of land i.e. Jerusalem.Indeed, it is a place for protection, safety and support for thepeople living here. I had a strong and bold tone of voice and said thenarration loudly and clearly. A piece of prop that we had used was asari that was arrange around me to show a sense of divinity and torepresent the holy land of God. The worshippers had themselves kneltdown to show their devotion and respect as well as their humility(lower level). The proximity between me and the worshippers are reallyclose because they are the inhabitants of the city and are part of thecommunity. The soldiers were upstanding and sturdy as I was (Jerusalem)because the eudaemonia of the people and the city i s under theirguardianship. The builders of the wall, who were behind me, weremiming movements of real builders such as one hand clenched like afist, the other holding a hammer and building. Since it was aspontaneous improvisation we had only little time to prepare. Using the time we had, I think we had prepared a clear and zestypresentation of the story. The soldiers (Craig and Dior) moved fromtheir designate places to the opposite side (left to right), back and

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